charming … hilarious
Mercury News
wonderfully geeky
San Francisco Chronicle
cute, seemingly sweet
Theatre Eddys
Impeccable
East Bay Express
flawless … impressive and unsettling
Talkin’ Broadway
soft, sweet vocals
Huffington Post
remarkable talent
The Daily Cal
powerful when he needs to be, subtle when that’s what’s called for, and always charming.
Talkin’ Broadway
Known for sharp comedy and bold character work in plays and musicals, Kevin Singer is an award-winning actor with a love of politics and fried chicken sandwiches.
In the decade since he moved to the Bay Area, he has worked with dozens of regional companies, including Magic Theatre, Center Repertory Theatre, and New Conservatory Theatre.
Hedwig and the Angry Inch (2012–2013)
Hedwig and the Angry Inch (2012–2013), photo 1 of 8
Bay Area theatre-goers may have seen him recently as George in Shotgun Players’ production of Sunday in the Park with George, for which he was nominated for a Bay Area Theatre Critics Circle award.
Kevin also appeared in the regional premieres of Silence! The Musical (Lamb) and Yeast Nation (Jan the Second) with Ray of Light Theatre, as well as A Gentleman’s Guide to Love and Murder (Monty) at 42nd Street Moon. He has been nominated for two TBA Awards for his performances as Princeton in Berkeley Playhouse’s production of Avenue Q and as Drusilla in Buffy the Vampire Slayer: Live at Oasis.
Kevin is a member of the board of Korsa Musical Theater, the Bay Area’s premier musical theater training company. He graduated in 2013 from UC Berkeley, where he was awarded the David and Diana Menn Prize for Outstanding Creative Talent in the Performing Arts. When he’s not engaging in tomfoolery on stage, he works as a media consultant for political campaigns, nonprofits, and public affairs.
Acting is all about honesty. If you can fake that, you've got it made.
George Burns
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Korsa Musical Theater
In a church basement, eight internet addicts lock their phones in a box and have a support meeting. Dave Malloy’s a cappella musical explores our tangled relationship with technology through eight voices searching for connection.
tickets on sale 9/25
learn more (opens in a new tab)
New Conservatory Theatre Center
Sandro Botticelli’s friends are in danger, and the painter could be next. Jordan Tannahill’s irreverent Renaissance play mixes desire, unrest, and censorship.
Tragedy is when I cut my finger. Comedy is when you walk into an open sewer and die.
Mel Brooks
